Body of Work

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You could say my life was defined by work or more accurately by the pursuit of creative projects. This doesn’t mean I didn’t have significant family relationships with my parents and siblings and three marriages and three step children. Or lifelong friends at every stop on this magical mystery tour. Or... just enjoying all the world had to offer.

 

All those experiences I cherish and deeply informed what I learned in this life, but if I am honest I was equally excited about creating something from nothing. That began in music and records, transitioned to inflatable design, included film making, designing interactive entertainment and for the last 24 years trying to make a difference in this world with a lot of other talented people. I have been lucky enough that the Kosmos supported me even when whatever was next seemed odd or impossible.

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The thread (or the through line as we would call it in film) were the stories we were telling. Later in my life I was  particularly interested in the stories we were telling about our collective now and future. Around 2010 when I was directing Integral Life this question came up again. I had started interviewing global thought leaders about potential new narratives that could help shape a more generative future. I found that there was extraordinary work going on around the world in re-imagining our systems of economics, politics, media, and spiritual pursuits. It was not for lack of ideas that it seemed we could only imagine the dystopian future promoted in our films, TV and video games but there was one thing that was lacking. An orienting narrative that explained how we got from where we were to that brighter future for all. The work in the Television and Convergence Media section was part of my response  to that inquiry following the dawn of the new millennium. In my own small way I was attempting to highlight the qualities of the narrative that would integrate all the good work that was going on.

 

Sadly as I write this in the fall of 2025, we are still looking. America for the moment has fallen under the dark influence of the MAGA movement. In my view one of the reasons the pro-democracy folks did not win the 2024 elections was that they (we) lacked a better narrative of what that more generative future could offer. 

Without such a narrative the future will be darker for those that come after me. Hopefully, someone will remedy that. 

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The Work

​These are some examples of my work that are my favorites. There were hundreds of projects, over 80 songs alone, but I picked these as the best of it in my mind. Not necessarily because they were the most successful, although some of them hit it out of the park, but because these were the ones I got the closest to in terms of what I originally imagined. They say it is the artists curse. You get an idea or a download and set out to bring it into this world. It teases you relentlessly. It can be frustrating, but sometimes the original vision morphs into something you least expected. In those co-creative moments, the magic happens and you feel that there is something larger at play than just you. The projects I have included here had that quality to them.

 

From early on, I was happiest when I was creating something. At first it was building forts in the backyard or setting up model train sets, but when I figured out I could play music for a living and make records, that began over 50+ years of creative work that continues to this day. The work has taken many different forms. Music, film/TV, inflatable design, interactive entertainment and convergence media. One of the joys of these projects is I got to work with some very talented people and along with achieving a degree of fame and fortune, we had a lot of fun together. It was as we say… the grandest of adventures.

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One pattern did emerge over time. I was happiest creating something in a new, emerging field rather than one that was already established. Music came for me just as rock and roll music emerged as the soundtrack of our generation. The inflatables emerged out of childhood memories of a safe space. This vision I had of a "learning environment" had never been done before. The interactive entertainment was just a fledgling emergence in the entertainment business when I jumped in. It combined my love of stories, games and audience engagement. The convergence media work is a new form that is seeking greater influence as project arrive over Internet, social media platforms and metaverses.

 

When I was working as a mail boy at Universal Studios  I got talking one day to a grizzled script writer about the business of creating stories. He said…”kid, this is the greatest work in the world. I can sit at my typewriter today  and dream up elephants marching in parade and tomorrow they will materialize in this realm for all to see and experience on the silver screen. This is the greatest storytelling medium ever invented.”

 

That was enough for me. I felt the calling to follow the stories that were poking at me wherever they led me although at that point I had no idea how that would unfold. These projects took me all over the US and Europe. It was almost like I would imagine some experience I wanted to have (like the old screenwriter) and then dream up a project that would take me into that world. I found it a great way to live and experience everything this world had to offer.

 

I have been lucky enough to have pursued my curiosities with my co-conspirators all these years. These artifacts are the some of the results of those pursuits.  Enjoy…